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TASCAM is the professional audio division of TEAC Corporation, headquartered in Santa Fe Springs, California. TASCAM established the Home Recording phenomenon by creating the "Project Studio" and is credited as the inventor of the Portastudio , the first cassette-based multi-track home studio recorders.
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
Cassette decks soon came into widespread use and were designed variously for professional applications, home audio systems, and for mobile use in cars, as well as portable recorders. From the mid-1970s to the late 1990s the cassette deck was the preferred music source for the automobile.
Prior to the introduction of the Disk II, cassette was the main storage medium for Apple machines. Here an Apple II is using a Panasonic tape deck. The Apple I introduced an expansion-card based cassette system similar to KCS, recording a single cycle of 2000 Hz for a space and a single cycle of 1000 Hz for a mark. This resulted in an average ...
Tascam's Portastudio family of 4 track cassette recorders became a standard for home hobbyists. An advantage of dbx Type I and Type II compared to Dolby noise reduction is that it did not require calibration with the output level of the tape deck, which could cause incorrect tracking with Dolby B and C, leading to muffled high tones.
Some typical cassette deck frequency response curves showing the effects of different bias settings are provided in the relevant figure. Time constant of replay equalization (often shortened to EQ) for Type I tapes equals 120 μs, as per the Philips specification. The time constant for Type II, III and IV tapes is set at a lower value of 70 μs.
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