Search results
Results From The WOW.Com Content Network
By the 17th century, the timpani moved indoors for good and composers began to demand more from timpanists than ever before. The timpani was first introduced to the court orchestras and opera ensembles as well as in larger church works. [7] Due to this move indoors, a much more formalized way of playing and approaching the timpani was developed.
Timpani is an Italian plural, the singular of which is timpano. However, in English the term timpano is only widely in use by practitioners: several are more typically referred to collectively as kettledrums, timpani, temple drums, or timps. They are also often incorrectly termed timpanis. A musician who plays timpani is a timpanist.
A continuous bass was the rule in Baroque music; its absence is worth mentioning and has a reason, such as describing fragility. The specific character of a movement is often defined by wind instruments, such as oboe , oboe da caccia , oboe d'amore , flauto traverso , recorder , trumpet , horn , trombone , and timpani .
The first timpani concertos were written in the Baroque and Classical periods of music. Important concertos from these eras include Johann Fischer's Symphony for Eight Timpani and Georg Druschetzky's Concerto for Six Timpani. During the Romantic Period, the timpani concerto was largely ignored. The timpani concerto was revived in the 20th ...
Percussion instruments included the timpani, snare drum, tambourine and the castanets. One major difference between Baroque music and the classical era that followed it is that the types of instruments used in Baroque ensembles were much less standardized.
The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is widely studied, performed, and
An interesting feature of this period is the proliferation of concerti for less usual instruments, including orchestral ones such as the double bass (by composers like Eduard Tubin or Peter Maxwell Davies) and cor anglais (like those by MacMillan and Aaron Jay Kernis), but also folk instruments (such as Tubin's concerto for Balalaika, Serry's ...
1 Transition from Renaissance to Baroque (born 1500–1549) 2 Early Baroque era composers (born 1550–1599) 3 Middle Baroque era composers (born 1600–1649)