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The painting is composed of symmetrical rectangular blocks of magenta, black and green colors on orange background. [1] No.3/No.13 (Magenta, Black, Green on Orange) was also influenced by the loss of Rothko's mother, who died in October 1948. [1] It is held at the Museum of Modern Art, in New York.
The new fabric design was a departure from Harwood’s earlier work but retained a familiar graphic sensibility. These new functional works reflected both Harwood and Sophies’s artistic interests – dozens of fabrics were decorative abstractions of botanical themes, others ruminations on desert animals and cactus.
The art of Bandhani is a highly skilled process. The technique involves dyeing a fabric which is tied tightly with a thread at several points, thus producing a variety of patterns like Chandrakala, Bavan Baug, Shikari etcetera; depending on the manner in which the cloth is tied. The main colour used in Bandhana are yellow, red, blue, green and ...
Within three months, he had registered his first design for the Cataline floor cloth, a decorative covering for linoleum floors, a material which had been invented in 1855. By December had registered two designs for machine-woven carpets which he had made by the Wilton Royal Carpet Factory. [11] As usual, Morris set a high goal for himself.
The Ben Day process is a printing and photoengraving technique for producing areas of gray or (with four-color printing) various colors by using fine patterns of ink on the paper. It was developed in 1879 [ 1 ] by illustrator and printer Benjamin Henry Day Jr. (son of 19th-century publisher Benjamin Henry Day ). [ 2 ]
A number of her early designs including Tropic, [32] a dress fabric printed on silk and produced by Zika Ascher in 1959, and Gilia, a cotton furnishing fabric featuring tropical foliage in green and gold, produced by Hull Traders in 1961, are in the textile collection at the Victoria & Albert Museum.