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Diane Arbus (/ d iː ˈ æ n ˈ ɑːr b ə s /; née Nemerov; March 14, 1923 – July 26, 1971 [2]) was an American photographer. [3] [4] She photographed a wide range of subjects including strippers, carnival performers, nudists, people with dwarfism, children, mothers, couples, elderly people, and middle-class families. [5]
Allan Franklin Arbus (February 15, 1918 – April 19, 2013) [1] was an American actor and photographer. He was the former husband of photographer Diane Arbus . He is known for his role as psychiatrist Dr. Sidney Freedman on the CBS television series M*A*S*H .
Pages in category "Photographs by Diane Arbus" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. C.
Diane Arbus photograph, Identical Twins, Roselle, New Jersey, 1967. Identical Twins, Roselle, New Jersey, 1967 is a noted photograph by photographer Diane Arbus from the United States. Since its debut Identical twins, Roselle, N. J., has become the image most closely associated with her large body of work. The photograph was chosen as the cover ...
Doon Arbus (born April 3, 1945) is an American writer and journalist. Her debut novel is The Caretaker ( New Directions , 2020). [ 1 ] [ 2 ] Her play, Third Floor, Second Door on the Right , was produced at the Cherry Lane Theatre by the 2003 New York International Fringe Festival .
Morin places her work on the same level as that of renowned street photographers like Robert Frank and Diane Arbus, and worthy of a place in the history of photography. ... Wright added that Maier ...
In On Photography, Sontag examines the history and contemporary role of photography in society. She contrasts the work of Diane Arbus with Depression-era documentary photography and explores the evolution of American photography from Walt Whitman's idealistic notions to the cynicism of the 1970s. Sontag argues that photography fosters a ...
New Documents was an influential [1] documentary photography exhibition at Museum of Modern Art, New York, in 1967, curated by John Szarkowski. [2] It presented photographs by Diane Arbus, Lee Friedlander and Garry Winogrand and is said to have "represented a shift in emphasis" [3] and "identified a new direction in photography: pictures that seemed to have a casual, snapshot-like look and ...