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In linguistics, clipping, also called truncation or shortening, [1] is word formation by removing some segments of an existing word to create a diminutive word or a clipped compound. Clipping differs from abbreviation, which is based on a shortening of the written, rather than the spoken, form of an existing word or phrase.
Body text or body copy is the text forming the main content of a book, magazine, web page, or any other printed or digital work. This is as a contrast to both additional components such as headings, images, charts, footnotes etc. on each page, and also the pages of front matter that form the introduction to a book. Body text has two slightly ...
Hypsos – great or worthy writing, sometimes called sublime; Longinus's theme in On the Sublime. Hysteron proteron – a rhetorical device in which the first key word of the idea refers to something that happens temporally later than the second key word; the goal is to call attention to the more important idea by placing it first.
The cut-up technique (or découpé in French) is an aleatory narrative technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized in the 1950s and early 1960s, especially by writer William Burroughs .
2. The first sentence or first few words of a story, set in larger type than the main body text, or the first word or two of a photo caption, set in uppercase type distinct from the rest of the caption text. [1] 3. A strap above and slightly to the left of a main headline. [1] 4.
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This telegram was sent by Orville Wright in December 1903 from Kitty Hawk, North Carolina, following the first successful airplane flight.. Telegram style, telegraph style, telegraphic style, or telegraphese [1] is a clipped way of writing which abbreviates words and packs information into the smallest possible number of words or characters.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.