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Stuart Dunkel is an oboist and painter based in Massachusetts. [1] He has performed in a number of orchestras listed below. He has been painting since age five and playing music since age 7. He has written a book The Audition Process: Anxiety Management and Coping Strategies and released a CD of his music called Oboe Colors. [2]
An oboist (formerly hautboist) is a musician who plays the oboe or any oboe family instrument, including the oboe d'amore, cor anglais or English horn, bass oboe and piccolo oboe or oboe musette. The following is a list of notable past and present professional oboists, with indications when they were/are known better for other professions in ...
A woodwind doubler (or reed doubler) is a musician who can play two or more instruments from the six woodwind families (clarinets, saxophones, oboes, bassoons, flutes and recorders) or other folk or ethnic woodwind instruments (e.g. panflute, irish flute)), and can play more than one instrument during a performance.
Reed contrabass/Contrabass à anche; Rhaita (North Africa) Rothphone; Sarrusophone (but often played with single reed mouthpiece) Shawm (Schalmei) Sopilas (Croatia) Sornas (Persia) Suona (China) Surnayers (Iran) Taepyeongso (Korea) Tárogatós (Hungary; up to about the 18th century) Tromboon; Trompeta china (Cuba) Zurla (Macedonia) Zurna
A quadruple reed, such as the Thai pinai, operates in a similar way as the double reed and produces a timbre similar to the oboe. [1] The Arabic pii chawaa is "sometimes described as having a double reed, though this is actually folded yet again, creating four layers of reed and thus requiring considerable lung power to play". [2]
The reed trio ranks second only to the wind quintet among woodwind chamber ensembles in terms of popularity and quantity of original repertoire. [2] The reed trio genre became more firmly established in the late 1920s by bassoonist Fernand Oubradous , oboist Myrtile Morel and clarinetist Pierre Lefèbvre, who together comprised the Trio d ...
The oboe d'amore was invented in the eighteenth century and was first used by Christoph Graupner in his cantata Wie wunderbar ist Gottes Güt (1717). Johann Sebastian Bach wrote many pieces—a concerto, many of his cantatas, and the Et in Spiritum sanctum movement of his Mass in B minor—for the instrument.
Reed aerophones is one of the categories of musical instruments found in the Hornbostel-Sachs system of musical instrument classification. In order to produce sound with these Aerophones the player's breath is directed against a lamella or pair of lamellae which periodically interrupt the airflow and cause the air to be set in motion.