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The Wildwood was a variation on the Fender King guitar, featuring a variety of dyed wood colors. The unique color patterns were achieved by injecting living beech trees with dye prior to being harvested to make the veneer for the back, sides, top and headstock.
In 1947 the materials used for the guitar changed to maple back and sides. Gibson changed the name to the J-200 in 1955. Due to the weak post-depression economy and wartime austerity, demand for this high-end guitar was very limited and production quantities were small. Early models made from rosewood are highly prized by collectors.
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
This guitar as well as the cello are similarly designed in order to amplify and project the acoustic vibration of strings throughout carved and tuned woods, using f-holes as the projection points. From 1922 to 1934 the L-5 was produced with a 16" lower bout width. In 1934 the lower bout was increased to 17"; this width is still used today.
This sturdier guitar was less likely to be returned to Gibson for warranty work, but its volume was reduced and tone negatively affected. [3] In 1985 Gibson's new owners began to address the quality issues that were affecting the company's products and reputation. [4] By 1992 production of Gibson acoustic guitars was shifted to Bozeman, Montana.
The Gibson L-1 is an acoustic guitar that was first sold by the Gibson Guitar Corporation in the early 20th century. The L-1 model was introduced first as an archtop (1902), and later as a flat top in 1926. The model is famously associated with the legendary bluesman Robert Johnson.