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Repin began working on the painting in Moscow. [1] A first overall sketch, with the character of the Tsar turned to his right, dates from 1882. The idea of the painting, according to Repin, is linked to his confrontation with the themes of violence, revenge and blood during the political events of 1881; additional sources of inspiration were the music of Nikolai Rimsky-Korsakov and the ...
Historians generally believe that Ivan killed his son in a fit of rage, [7] with the argument ending after the elder Ivan fatally struck his son in the head with his pointed staff. [70] Yelena also suffered a miscarriage within hours of the incident. [69] The event is depicted in the famous painting by Ilya Repin, Ivan the Terrible and His Son ...
Ivan Ivanovich was killed by his father in a fit of rage, [5] with the argument ending after the elder Ivan fatally struck his son in the head with his pointed staff. [6] Yelena also suffered a miscarriage within hours of the incident. [4] The event is depicted in the famous painting by Ilya Repin, Ivan the Terrible and His Son Ivan.
This painting, depicting the tsar, his face full of horror, just after he has killed his son with his sceptre in a demented rage. It caused a scandal. It caused a scandal. Some critics saw it as a veiled criticism of Tsar Alexander III , who had brutally suppressed the opposition after a failed assassination attempt.
According to Tolstoy, the action of drama takes place in 1584, the year of Ioann's death. Yet, Ivan's murdering his son, the abdication, the siege of Pskov, the fire in Aleksandrovskaya sloboda all relate to the second half of 1581. Tolstoy was improvising a lot when it came to motives and undercurrents, occasionally creating links between ...
The confrontation led to an argument, during which Tsar Ivan became enraged and hit his son over the head with a sceptre, an injury which he died from a few days later. [31] [32] [33] Tsar Ivan felt great regret following the act, and his grief is famously depicted in Ilya Repin's painting, Ivan the Terrible and His Son Ivan. Mohammad Baqer Mirza
The secondary characters, such as the child seated at the table in the right part of the painting, give the painting life, consistency, and a lyrical warmth. Other details contribute to this, such as the little girl's posture with her unusually curved legs, and the sensitively painted furnishings of an apartment typical of a family of the ...
In 1762, upon succeeding to the imperial throne, Peter III accorded his only son Paul Petrovich (by the future Catherine the Great) the novel title of tsesarevich, he being the first of nine Romanov heirs who would bear it. [2] However, at the time the title was conferred, Paul was recognised as Peter's legal son, but not as his legal heir.