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The whole album, Songs for Swining Larvae, is inspired by insects. [9] There Ain't No Bugs On Me: Insects-general (Traditional folk song) (Traditional folk song) Unknown: Folk: There is a popular recording of this song by Jerry Garcia and David Grisman on the album, Not for Kids Only. Dog and Butterfly: Lepidoptera: Ann Wilson N/ancy Wilson ...
"Knock On Wood" was written in the Lorraine Motel in Memphis, Tennessee (now The National Civil Rights Museum). Steve Cropper has stated in interviews that there was a lightning storm the night that he and Eddie wrote the song, hence the lyrics 'It's like thunder, lightning, The way you love me is frightening'.
Ormia ochracea is a small yellow nocturnal fly in the family Tachinidae. [2] It is notable for its parasitism of crickets and its exceptionally acute directional hearing. The female is attracted to the song of the male cricket and deposits larvae on or around him, as was discovered in 1975 by the zoologist William H. Cade.
The song was written for the 1979 album Journey Through "The Secret Life of Plants", but was left off the album and re-recorded for the 1985 album In Square Circle. In the liner notes for the song, "crickets, nightingale & additional bird sounds, ocean, pebbles in pond, stone dropped, crushing leaves" are listed under "environmental percussion".
The song was written by guitarist Sonny Curtis and drummer Jerry Allison in around an hour in 1959. [1] The hook was left unfinished at the time, and at the time of recording, the hook was left this way with no lyrics, only the "wo-wo yay-yay", which became a memorable part of the song.
The opening section is about the cricket's lengthy song, while the second one compares crickets and songbirds. The song concludes by suggesting that crickets may be better singers than songbirds, particularly because they sing all the time, rain or shine. [7] The song contains both homophony and onomatopoeia, [8] with its rhythm mimicking a ...
"When an Old Cricketer Leaves the Crease" is a track on the Roy Harper album HQ, a prominent example of cricket poetry. Released as a single twice, in 1975 and 1978, it is possibly Harper's best-known song. The song captures the atmosphere of a village cricket match and is an elegy to
Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, the same day the song "Everyday" was recorded. [1] The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa.