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'ote'a group dance. The ʻōteʻa (usually written as otea) is a traditional dance from Tahiti characterized by a rapid hip-shaking motion to percussion accompaniment. The dancers, standing in several rows, may be further choreographed to execute different figures (including tamau, varu, otamu, ami, and fa'arapu [1]) while maintaining the hip-shaking.
The ʻupaʻupa (often written as upa upa) is a traditional dance from Tahiti. It was mentioned by European explorers, who described it as very indecent. It is not quite clear how similar the gestures at that time were with the now immensely popular tāmūrē. In both dances the performers form groups of pairs of a boy and a girl, dancing more ...
Dance troupe performing in the Cook Islands. The tāmūrē, or tamouré as popularized in many 1960s recordings, is a dance from Tahiti and the Cook Islands.Usually danced as a group of boys and girls, all dressed in more (the Tahitian grass skirt, however not made of grass but of the fibers from the bark of the pūrau, "hibiscus").
Dancing was a vital part of Tahitian life then, and dances were used to celebrate, pray and mark almost every occasion of life. Examples include the men's ʻōteʻa dance and the couple's 'upaʻupa. Professional dance troupes called ʻarioi were common, and they moved around the various islands and communities dancing highly sensually and ...
The ʻōteʻa (sometimes written as otea) is a traditional dance from Tahiti, where the dancers, standing in several rows, execute figures. This dance, easily recognised by its fast hip-shaking and grass skirts, is often confused with the Hawaiʻian hula , a generally slower, more graceful dance which focuses more on the hands and storytelling ...
At this time Tahitian dance was called tamure and danced in the disreputable nightclubs of Papeete and had a bad reputation. [4] In 1956, after having attended Breton and Auvergne folk dances, Moua felt the need to bring traditional Tahitian dance up to date.
The goal of costume competitions at festivals for Tahitian dance is to keep the traditional dress alive, hence the natural materials covering minimal amount of skin. Perhaps the most important part of the traditional dance costume is the more. The process for creating the thin strips is tedious and time consuming.
The music is often played on the guitar or the Tahitian ʻukulele. The stories depicted by the dance are taken from daily traditional occupations or ancient myths. Unlike the other Tahitian dances, this one is more often performed with the dancers dressed in pāreu and maro .