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The Four Last Songs (German: Vier letzte Lieder), Op. posth., for soprano and orchestra are – with the exception of the song "Malven" (Mallows), composed later the same year – the final completed works of Richard Strauss. They were composed in 1948 when the composer was 84.
Chronological – by no means complete – list of recordings of Richard Strauss' Vier letzte Lieder. Recordings. Year Artist Conductor Orchestra or Pianist
"Morgen!" ("Tomorrow!") is the last in a set of four songs composed in 1894 by the German composer Richard Strauss.It is designated Opus 27, Number 4.. The text of this Lied, the German love poem "Morgen!", was written by Strauss's contemporary, John Henry Mackay, who was of partly Scottish descent but brought up in Germany.
Soprano Asmik Grigorian has a recital on Dec. 17, then returns March 18 for Strauss’ “Vier letzte Lieder (Four Last Songs)” with the Cleveland Orchestra and music director Franz Welser-Möst.
Only 88 compositions by the German composer Richard Strauss (1864–1949) have been assigned opus numbers; these numbers are shown in the table below in the column "Op." Two volumes of a catalogue of the remaining works were published by Erich Hermann Mueller von Asow (1892–1964) in 1959. [ 1 ]
", Op. 27, No. 1, is the first in a set of four songs composed by Richard Strauss in 1894. It was originally for voice and piano, and not orchestrated by Strauss until 1948, after he had completed one of his Four Last Songs, "Im Abendrot ". [2] The words are from a poem "Ruhe, meine Seele!" (Rest, my soul) written by the poet Karl Henckell.
Gwyneth Jones sings Strauss: Vier letzte Lieder, etc. Tokyo Symphony Orchestra/Roberto Paternostro. KOCH Schwann 1991. KOCH Schwann 1991. Gwyneth Jones sings Wagner : Scenes from Tannhäuser , Lohengrin , Tristan und Isolde , Götterdämmerung .
Strauss Choral Works, recorded 9/84, RIAS Kammerchor, Uwe Gronostay, Marcus Creed, Deutsche Schallplatten; Strauss' Vier Letzte Lieder/Wagner's Wesendonck Lieder and Isolde's "Liebestod", recorded 1/93, Sächsische Staatskapelle Dresden, Giuseppe Sinopoli, Deutsche Grammophon