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The romance (the term is Spanish, and is pronounced accordingly: Spanish pronunciation:) is a metrical form used in Spanish poetry. [1] It consists of an indefinite series (tirada) of verses, in which the even-numbered lines have a near-rhyme and the odd lines are unrhymed.
End rhyme (aka tail rhyme): a rhyme occurring in the terminating word or syllable of one line in a poem with that of another line, as opposed to internal rhyme. End-stopping line; Enjambment: incomplete syntax at the end of a line; the meaning runs over from one poetic line to the next, without terminal punctuation.
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. [1]
Rhyme consists of identical ("hard-rhyme") or similar ("soft-rhyme") sounds placed at the ends of lines or at locations within lines ("internal rhyme"). Languages vary in the richness of their rhyming structures; Italian, for example, has a rich rhyming structure permitting maintenance of a limited set of rhymes throughout a lengthy poem.
A rhyming dictionary is a specialized dictionary designed for use in writing poetry and lyrics. In a rhyming dictionary, words are categorized into equivalence classes that consist of words that rhyme with one another. They also typically support several different kinds of rhymes and possibly also alliteration as well.
In Spanish poetry, a silva is a poetic form consisting of in eleven- and seven- syllable lines: hendecasyllables (endecasílabos) and heptasyllables (heptasílabos), the majority of which are rhymed although there is no fixed order or rhyme, nor is there a fixed number of lines.
The Spanish Civil War had a devastating impact on Spanish writing. Among the handful of civil war poets and writers, Miguel Hernández stands out. During the early dictatorship (1939–1955), literature followed dictator Francisco Franco's reactionary vision of a second, Catholic Spanish golden age. By the mid-1950s, just as with the novel, a ...
Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]