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For example, after a long shot there may commonly be a cut to a closer view. If a character is walking across the stage, the audience expects the camera to pan or follow the character's movement. Viewers expect to interact with and be a part of the film, rather than simply being shown a group of images.
In the United States and Canada, Long Shot was released alongside The Intruder and UglyDolls, and was projected to gross $9–16 million from 3,230 theaters in its opening weekend. [19] The film made $3.6 million on its first day, including $660,000 from Thursday night previews. It went on to debut to $9.7 million, finishing third. [20]
There is the long shot which shows the subject even though the setting still dominates the picture frame. Then, there is the medium long shot which makes the subject and the setting have equal importance and has the two about 50/50 in the frame. Then is the medium shot which emphasizes the character and is about a knees to waist up type shot.
In film, film grammar is defined as follows: A frame is a single still image. It is analogous to a letter. A shot is a single continuous recording made by a camera. It is analogous to a word. A scene is a series of related shots. It is analogous to a sentence. The study of transitions between scenes is described in film punctuation. Film ...
An extreme wide shot in the trailer to the 1963 film Cleopatra gives an expansive view of the set.. In photography, filmmaking and video production, a wide shot (sometimes referred to as a full shot or long shot) is a shot that typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. [1]
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In film, a match cut is a cut from one shot to another in which the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium closeup shot of one of the duellists. The cut matches the two shots and is consistent with the ...
Every film today, whether it be live-action, computer generated, or traditional hand-drawn animation is made up of hundreds of individual shots that are all placed together during editing to form the single film that is viewed by the audience. The shot transition is the way in which two of these individual shots are joined together. [1]