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The consort song, popular in England, is considered to be closely related to the lute song. This was an earlier strophic form of music that was for a solo voice accompanied by a small group of string instruments. [1] In France, the chanson is a precursor to the lute song or air de cour. Collections of airs de cour were used in other countries ...
Lute Song is a 1946 American musical with a book by Sidney Howard and Will Irwin, music by Raymond Scott, and lyrics by Bernard Hanighen. It is based on the 14th-century Chinese play Tale of the Pipa ( Pi-Pa-Ji ) by Gao Ming . [ 1 ]
Music to Entertain Henry VIII: Grayston Burgess, Purcell Consort of Voices 17 0:55 Argo (4758582) 2008 The World's Greatest Composers [Collector's Edition Music Tin] — 9 (CD 4) 1:09 Madacy (52955) 2010 Les Grandes Orgues de Gérardmer: Jacques Kauffmann 1 1:52 Skarbo (1095) 2011 Tears of Joy: English Lute Songs and Secular Music: Zefiro Torna ...
John Attey (d. c. 1640) was an English composer of lute songs or ayres.. Little is known about his life. He appears to have been patronised by John Egerton, 1st Earl of Bridgewater and the Countess Frances, to whom he dedicates his First Booke of Ayres of Foure Parts, with Tableture for the Lute, in 1622.
German lute music was revived much later by composers such as Esaias Reusner (fl. 1670), however, a distinctly German style came only after 1700 in the works of Silvius Leopold Weiss (1686–1750), one of the greatest lute composers, some of whose works were transcribed for keyboard by none other than Johann Sebastian Bach (1685–1750), who ...
Robert Jones (c. 1577 – 1617) was an English lutenist and composer, the most prolific of the English lute song composers (along with Thomas Campion).. He received the degree of B.Mus. from Oxford in 1597 (St. Edmund Hall).
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute.
Joan Ambrosio Dalza (fl. 1508) was a Milanese lutenist and composer. His surviving works comprise the fourth volume of Ottaviano Petrucci's influential series of lute music publications, Intabolatura de lauto libro quarto (Venice, 1508).