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"Let It Out (Let It All Hang Out)" is a 1967 song by the Hombres and the title track of their album of the same name. It is, according to AllMusic journalist Stewart Mason, a "deadpan southern-fried parody" of Bob Dylan 's " Subterranean Homesick Blues ".
A version of "Let It Out" was recorded by The Nails in the mid-1980s. The song was sampled in "Wear Your Love Like Heaven" by Definition of Sound (1991), "The Humblest Start" by LP&JC (2010), and "Let It All Hang Out" by Matlock (2022). [6] The song appears on John Mellencamp's 1989 album, Big Daddy.
Let It Out (Kraan album) or the title song, 1975; Let It Out, an album by Ashlyne Huff, 2011; Let It Out (Let It All Hang Out), an album by the Hombres, or the title song (see below), 1967; Let It Out, a DVD by Hoobastank, 2004
The album takes a less serious tone on two tracks, the first of which titled "Martha Say"—an account of a stubbornly independent woman whose ways lead Mellencamp to caution her to "look out." "Let It All Hang Out" is the second less serious song and is a cover of a 1967 Hombres tune. Mellencamp has said that it is not really a part of the ...
The musical backing for A.D.O.R.'s raps on "Let It All Hang Out" was by his old friend Pete Rock, by 1992 already an acclaimed producer, and now commonly cited as one of the hip hop genre's best. Stanton Swihart of allmusic describes the track as an "infectious" outing that was an "instant classic" on release, driven by Rock's "irresistible ...
Big Daddy: Cover version of The Hombres' "Let It All Hang Out" at the end of track 11, "J.M.'s Question; Freedom's Road: Song about George W. Bush titled "Rodeo Clown" at the end of track 10, "Heaven is a Lonely Place" Melt-Banana, Teeny Shiny: Untitled track at the end of the album
The final cut, "Go Go, Girl," by the Hombres, was released as the B-Side of the single "Let It All Hang Out" in 1967, is attributed to an "unknown artist", and its lyrics' feature a male narrator expressing his frustration about having to "stand in line" to see his girlfriend become a "hip-swingin', fringe-slingin' Watusi go go girl" in the ...
The lyrics describe 44 different women, their habits, and their personalities. Campbell wrote the lyrics to the song [6] and has explained that "some of the women [referenced in the song] are real, some are made up." [5] Much of the song was inspired by women the group had encountered while moving from Boulder, Colorado, to New York City. [6]