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A traditional Japanese oil-paper umbrella or parasol, these umbrellas as typically crafted from one length of bamboo split finely into spokes. See also Gifu umbrellas. Kimono Traditional square-cut wrap-around garment. Kimono slip (着物スリップ, kimono surippu) A one-piece undergarment combining the hadajuban and the susoyoke. [2]: 76 [4]
The typical men's kimono is a subdued, dark colour; black, dark blues, greens and browns are common. Fabrics are usually matte, in contrast to the occasional satin weaves of some women's kimono. Some men's kimono have a subtle pattern, and textured fabrics are more common in informal men's kimono.
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku) which encompasses all else not recognised as either national dress or the dress of another country.
[12]: 137 For men, under-kimono often featured highly-decorative and often heavily pictorial scenes that would then be covered entirely by the outer kimono, which was typically very plain or designed with a simple and subtle pattern. Example of men's under-kimono within the collection display depictions of performers, dancers and haiku poems ...
A Japanese woman tying the obi of a geisha in the 1890s. In its early days, the obi was a cord or ribbon-like sash, approximately 8 centimetres (3.1 in) in width. Men's and women's obi were similar. At the beginning of the 17th century, both women and men wore a thin, ribbon-like obi.
An unlined (hitoe) kimono made from tsumugi, showing soft drape.Tsumugi (紬) is a traditional slub-woven silk fabric from Japan.It is a tabby weave material woven from yarn produced using silk noil, short-staple silk fibre (as opposed to material produced using longer, filament yarn silk fibres).
Hifu (被風, 被布, 披風 （ ひふ, ひふ, ひふ ）) is a kind of jacket traditionally worn over a kimono. Towards the end of the Edo Period (1603–1867), it was worn by men in cultural positions, such as by chajin (tea ceremony masters) and haijin (haiku poets). It later came to be worn by women. [1]
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.