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An alankara is any pattern of musical decoration a musician or vocalist creates within or across tones, based on ancient musical theories or driven by personal creative choices, in a progression of svaras. The term alankara is standard in Carnatic music, while the same concept is referred to as palta or alankara in Hindustani music.
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Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]
A mudra is a pen name, nom de plume, or pseudonym adopted by a musician to serve as their sign of authorship in a musical composition. A pen name may be used to make the author's name more distinctive, to disguise their gender, to distance an author from some or all of their previous works, to protect the author from retribution for their writings, to combine more than one author into a single ...
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Bhamaha was apparently from Kashmir. [3] [4] [5] [6]Little is known of Bhāmaha's life: the last verse of the Kāvyālaṃkāra says his father was called Rakrilagomin, but little more is known: [7]
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