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20 March – Michael Pfleghar, German film director and screenwriter (died 1991) 7 April – Johannes Schaaf, German film and theatre director (died 2019) 15 May – Ursula Schleicher, German politician and harpist; 29 May – Helmuth Rilling, German choral conductor; 8 June – Ernst W. Hamburger, German-born Brazilian physicist (died 2018)
The film presents the story of a truck driver, Fritz Brand, who joins the Nazi Sturmabteilung to defend Germany against communist subversion orchestrated from Moscow.He persuades his social circle of the imminent danger and the need to support Hitler in the federal election.
The film traces Germany's history from the Franco-Prussian War, the founding of the German Empire, the First World War, the occupation of the Ruhr, the martyrdoms of Albert Leo Schlageter, Horst Wessel and others, the rise of Hitler, the foundation of the Harzburg Front and their eventual victory.
Nazi Germany, [i] officially known as the German Reich [j] and later the Greater German Reich, [k] was the German state between 1933 and 1945, when Adolf Hitler and the Nazi Party controlled the country, transforming it into a totalitarian dictatorship.
1933 marked a transitional year for the German film industry following the Nazi seizure of power and the beginnings of centralisation of the studios under the control of Joseph Goebbels' Ministry of Propaganda. A number of films faced censorship issues and several received only limited releases.
While not as highly regarded as films of the preceding Weimar Republic era, [citation needed] the films of Nazi Germany, mainly made under control of Joseph Goebbels, hold a fascination for many, [citation needed] both as historical documents of one of the most important periods of 20th century history, as well as for their own artistic merit.
Brazil's 7-1 loss to Germany in GIF's. Sam Leichtamer. Updated August 10, 2016 at 4:11 PM. In case you didn't know, it was the first time Brazil lost on home turf in 62 matches. If that's not bad ...
A quantitative comparison of the percentage of German movies screened vs. foreign movies screened shows the following numbers: in the last year of the Weimar Republic the percentage of German movies was 62%; by 1939 it had risen to 77% while the number of cinema visits increased by the factor 2.5 from 1933 to 1939.