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Lenticular printing is a technology in which lenticular lenses (a technology also used for 3D displays) are used to produce printed images with an illusion of depth, or the ability to change or move as they are viewed from different angles.
A lenticular lens is an array of lenses, designed so that when viewed from slightly different angles, different parts of the image underneath are shown. [ 1 ] [ 2 ] [ failed verification – see discussion ] The most common example is the lenses used in lenticular printing , where the technology is used to give an illusion of depth, or to make ...
A 35 mm optical printer with two projector heads, used in producing movie special effects. Starting from the left, light is shining from the lamp house, then at A is the first projector's film gate, at B a lens that projects the film in A onto the second projector's gate C.
Lens type Notes 2011 Setup: Mike Gunther: Red One: 2011 Catch .44: Aaron Harvey: Red One MX: Hawk V-Lite V-Plus Lenses 2011 Albert Nobbs: Michael McDonough: Red One MX: 2011 Extremely Loud and Incredibly Close: Chris Menges: Arri Alexa: 2011 11-11-11: Joseph White Arri Alexa: 2011 The Wholly Family: Nicola Pecorini: Arri Alexa: 2011 Once Upon a ...
Official logo. This is a list of films shot partially or in full with IMAX cameras, either on 15/70 film, with the Phantom 65 IMAX 3D, with the ARRI Alexa IMAX, with other IMAX-certified digital cameras or IMAX Live Events shot with IMAX-certified cameras.
Thugs with Dirty Mugs - short (The audience member who's silhouetted directly against the movie-screen) Three Bags with Tricks - short; The Tin Soldier (1989) - short; The Twelve Brothers-Month; Undone (TV series) Verlioka - short; Waking Life; A Walnut Switch - short; When The New Year Trees Lights Up; Why Can't We Walk Straight - short; Yard ...
All of these phrases mean the same thing: the final print uses a 2:1 anamorphic projector lens that expands the image by exactly twice the amount horizontally as vertically. This format is essentially the same as that of CinemaScope, except for some technical developments, such as the ability to shoot closeups without any facial distortion.
Films released in CinemaScope, an anamorphic lens series used, from 1953-present, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.