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Preparing to leave the upper room, he says to his disciples: Arise, let us go from here (John 14:31d). [36] Their departure links logically with the opening words of chapter 18, When Jesus had spoken these words, He went out with His disciples over the Brook Kidron, where there was a garden, which He and His disciples entered.
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
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The spiritual song [4] makes reference to the King James Version of the Bible in John 14:2 which says "In my Father's house are many mansions: if [it were] not [so], I would have told you. I go to prepare a place for you." [5] The song refers to
This parable compares building one's life on the teachings and example of Jesus to a flood-resistant building founded on solid rock. The Parable of the Wise and the Foolish Builders (also known as the House on the Rock), is a parable of Jesus from the Sermon on the Mount in the Gospel of Matthew as well as in the Sermon on the Plain in the Gospel of Luke ().
Christ in the House of Martha and Mary by Tintoretto, 1570s. Jesus at the home of Martha and Mary, in art usually called Christ in the House of Martha and Mary, and other variant names, is a Biblical episode in the life of Jesus in the New Testament which appears only in Luke's Gospel (Luke 10:38–42), immediately after the Parable of the Good Samaritan (Luke 10:25–37). [1]
The Hanged Man's House, Cézanne, 1873. The Parable of the strong man (also known as the parable of the burglar and the parable of the powerful man) is a parable told by Jesus in the New Testament, found in Matthew 12:29, Mark 3:27, and Luke 11:21–22, and also in the non-canonical Gospel of Thomas where it is known as logion 35 [1]
Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.