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A coin featuring the profile of Hera on one face and Zeus on the other, c. 210 AC. Roman conquerors of the Hellenic East allowed the incorporation of existing Greek mythological figures such as Zeus into their coinage in places like Phrygia, in order to "augment the fame" of the locality, while "creating a stronger civil identity" without "advertising" the imposition of Roman culture.
The Lesser Panathenaia, a sister-event to the Great Panathenaia, was held every year with 3 to 4 days shorter in celebration. The competitions were the most prestigious games for the citizens of Athens, but not as important as the Olympic Games or the other Panhellenic Games. The Panathenaea also included poetic and musical competitions.
19th century engraving of the Colossus of Rhodes. Ancient Greek literary sources claim that among the many deities worshipped by a typical Greek city-state (sing. polis, pl. poleis), one consistently held unique status as founding patron and protector of the polis, its citizens, governance and territories, as evidenced by the city's founding myth, and by high levels of investment in the deity ...
After switching up Medusa and Poseidon’s complicated lore, Tuesday’s episode of Percy Jackson and the Olympians gave greater insight into the sea god’s ill-fated romance with his human ...
National Archaeological Museum Athens. I begin to sing about Poseidon, the great god, mover of the earth and fruitless sea god of the deep who is also lord of Helicon [57] and wide Aegae. A two-fold office the gods allotted you, O Shaker of the Earth, to be a tamer of horses and a saviour of ships! Hail, Poseidon, Holder of the Earth, dark ...
That Poseidon and Erechtheus were two names at Athens for the same figure (see below) was demonstrated in the cult at the Erechtheum, where there was a single altar, a single priest and sacrifices were dedicated to Poseidon Erechtheus, Walter Burkert observed, [23] adding "An historian would say that a Homeric, pan-Hellenic name has been ...
The Knights (Ancient Greek: Ἱππεῖς Hippeîs; Attic: Ἱππῆς) was the fourth play written by Aristophanes, who is considered the master of Old Comedy.The play is a satire on the social and political life of classical Athens during the Peloponnesian War, and in this respect it is typical of all the dramatist's early plays.
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