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Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad. [32]
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Light, lanterns and pottery: Photos of the week. January 24, 2025 at 7:44 PM. ... A man makes a clay pot in his workshop at Pottery Square, Bhaktapur, Nepal. Bhaktapur is an ancient town in the ...
Wabi-sabi can be described as "the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West."
Makoto Fujimara explains kintsugi ceramic art during a speech at the Alliance for Responsible Citizenship, London, November 2023. Fujimura is an author of several books including Art+Faith: A Theology of Making (Yale U. Press, 2021), [11] Refractions: A Journey of Faith, Art and Culture (NavPress, 2009), [12] and Culture Care (IVPress, 2020). [13]