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The song opens with chimes playing Westminster Quarters followed by three strikes of the chimes to indicate three o'clock. The lyrics then begin: It's three o'clock in the morning, we've danced the whole night through. [4] This "Waltz Song with Chimes" created a sensation when it was performed in the final scene of the Greenwich Village Follies ...
A Shelter in the Time of Storm: The Lord's our Rock, in Him we'll hide: V.J.C. 541: Under His Wings: Under His wings I am safely abiding: W.O. Cushing: 544: Where my Saviour Leads: Where my Saviour's hand is guiding: F.J. Crosby: Tune of unknown origin arranged by Sankey [10] 546: The Shadow of the Rock: Lead to the shadow of the Rock of Refuge ...
The first stanza opens with an invitation to worship God in the morning; [1] although variants have been sometimes used to adapt the hymn for any time of day. [5] The second stanza magnifies the opening idea, with saints joining "in adoring the Majesty in heaven".
So Soon in the Morning" is a traditional religious song performed in 1959 by Joan Baez and Bill Wood on Baez's first album, Folksingers 'Round Harvard Square. The duo sung it in a fast gospel tempo. The lyrics contain lines from a 19th-century hymn, " I heard the voice of Jesus say ", written in 1846 by Horatius Bonar :
Come and Praise [1] is a hymnal published by the BBC and widely used in collective worship in British schools. The hymnal was compiled by Geoffrey Marshall-Taylor with musical arrangements by Douglas Coombes, and includes well-known hymns such as “Oil in My Lamp”, “Kum Ba Yah” and “Water of Life” as well as Christmas carols and Easter hymns.
The hymns are split up by subject, such as theme (Commitment/Action, Love and Compassion, Hope, Freedom, Justice, Stewardship of the Earth) time (Morning, Evening, The Seasons, Harvest, Solstice and Equinox), origin (Music of The Cultures of the World, Words from Sacred Traditions, The Jewish Spirit, The Christian Spirit), holiday (Kwanzaa, Pesach / Passover, Hanukkah, Advent, Christmas ...
" Morgenglanz der Ewigkeit" (Morning splendour of eternity) is a Christian hymn with German text originally by Christian Knorr von Rosenroth, written around 1690 and set to music for private devotion. It became known with a 1662 melody by Johann Rudolf Ahle. The song is part of modern German hymnals and songbooks.