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An organ recital is a concert at which music specially written for the organ is played.. The music played at such recitals is typically written for pipe organ, which includes church organs, theatre organs and symphonic organs (also known as concert organs).
Daniels Recital Hall, formerly the First United Methodist Church, now The Sanctuary, is a preserved church sanctuary that has been re-purposed into a recital hall. It was built in 1908 on the southwest corner of Fifth Avenue and Marion Street in Seattle, Washington, United States. The recital hall opened in 2009 hosting concerts that use the ...
George Weston Recital Hall 1993 1,036 Toronto Philharmonia: University of Toronto Faculty of Music MacMillan Theatre 1963 815 Walter Hall 1962 490 York University Accolade East Tribute Communities Recital Hall 2006 327 Windsor: St. Clair Centre for the Arts Chrysler Theatre 1961 1,200 Windsor Symphony Orchestra: Prince Edward Island: Charlottetown
For example, there are many masses (often called "Communion Services") written in English for the Church of England. At a time when Christianity was competing for prominence with other religions, the music and chants were often beautiful and elaborate to attract new members to the Church. [9] Music is an integral part of mass.
Concert versions of operas and musicals are also presented as benefits. For example, Actors Fund of America has presented concerts of musicals such as On the Twentieth Century, Dreamgirls, Funny Girl, Chess and Hair. [24] A concert version of Anyone Can Whistle was presented as a benefit for Gay Men's Health Crisis at Carnegie Hall in 1995. [25]
A new concert hall will soon be a part of the Washburn University campus. Dr. James Hurd Recital Hall, north of White Concert Hall at 1700 S.W. Jewell Ave., will be a new concert venue arriving on ...
The examples and perspective in this article deal primarily with North America and do not represent a worldwide view of the subject. You may improve this article, discuss the issue on the talk page, or create a new article, as appropriate. (December 2012) (Learn how and when to remove this message)
Musicologist Sigmund Spaeth, in a review in Music Clubs Magazine, described Recital Hall as an example of "good intentions gone wrong". [5] He acknowledged the "creditable attempt" to give viewers access to top-quality musicians, but he felt that productions failed to take advantage of the "intimacy and informality that alone can differentiate television from its competitors". [5]