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A nang drama player and puppet. Nang yai (Thai: หนังใหญ่, pronounced [nǎŋ jàj]) is a form of shadow play found in Thailand. Puppets are made of painted buffalo hide, while the story is narrated by songs, chants and music. [1] Nang means "leather" ("leather puppet" in this case), and in common usage refers to a dance-drama ...
A traditional nang talung shadow puppetry stage in southern Thailand, as installed in the Institute for Southern Thai Studies, near Songkhla. Southern Thailand's puppets are made of leather and are typically between 15 and 50 centimeters in size. The performance consists of the puppets, the narrator, the actor, and the musician.
Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
A koothumadam is a separate 42-foot-long stage on which Tholpavakoothu is performed. The stage has a screen, a piece of white cloth, behind which the puppets are held. The lighting is provided by 21 lamps lit in coconut halves or earthen lamps placed behind the puppets, causing their shadows to fall on the screen.
Tolu Bommalattam, also known as "Bommalattam" or "Tolpava Koothu," is a traditional shadow puppetry art form that has its roots in Tamil Nadu, India. It is a highly stylized and intricate form of storytelling using leather puppets. The term "Tolu" means leather, and "Bommalattam" means puppetry in Tamil.
A selection of characters of Greek Shadow Puppetry, including Karagiozis Karagiozis (Καραγκιόζης) is a trickster poor Greek man whose sole interest is in sleeping and eating. Socially, he is in closer relation to Hadji Ivat (Greek: Hadjiavatis) than any other characters, and often he is informed by him; sometimes they cooperate in ...
Articles related to shadow play, an ancient form of storytelling and entertainment which uses flat articulated cut-out figures (shadow puppets) which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing.
The puppets were made of either horse, water buffalo or calf skin but the best were made of camel skin (to avoid the puppet being warped and buckle up). They had movable limbs and were jointed with waxed thread at the neck, arms, waist and knees and manipulated from rods in their back and held by the finger of the puppet master.