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In its early development, the clarinet could not be tuned across the range of the instrument, so the chalumeau was still used for music in the lower range. Later developments in the key work allowed better intonation throughout the range of the clarinet, and the chalumeau register on the clarinet eventually rendered the chalumeau itself ...
The main body of most clarinets has an upper joint, whose mechanism is mostly operated by the left hand, and a lower joint, mostly operated by the right hand. [4] Some clarinets have a one-piece body. [4] The modern soprano clarinet has numerous tone holes—seven are covered with the fingertips and the rest are operated using a set of 17 keys. [4]
The durations can be represented by the sequence of numbers 1 4 3 2: the second note is four times the duration of the first, etc. The duration of the initial note changes every phrase, varying the durations throughout the piece. [18] For example, the first four notes of the opening clarinet solo follow the 1 4 3 2 duration pattern.
The earliest known contrabass clarinet was the contre-basse guerrière invented in 1808 by a goldsmith named Dumas of Sommières; little else is known of this instrument. . The batyphone (also spelled bathyphone, Ger. and Fr. batyphon) was a contrabass clarinet which was the outcome of W. F. Wieprecht's endeavor to obtain a contrabass for the reed instrume
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
The A clarinet is not commonly used in band music. G clarinet — An instrument that today appears in various guises: a "Turkish clarinet" with Albert system keywork and a range to low E, a Boehm or Oehler system instrument to low E made predominantly in Germany, Italy or China, and as a Boehm system instrument with range to low C (basset ...
The invention of the alto clarinet has been attributed to Iwan Müller and to Heinrich Grenser, [2] and to both working together. [3] Müller was performing on an alto clarinet in F by 1809, one with sixteen keys at a time when soprano clarinets generally had no more than 10–12 keys; Müller's revolutionary thirteen-key soprano clarinet was developed soon after. [3]
Despite the words "At the beginning of the current century" he is often said to have developed the clarinet in 1690; there is no evidence for this. [2] In fact, J. C. Denner may have built no clarinets at all. Only one extant clarinet, owned by the University of California, Berkeley has been attributed to him, and this attribution has been ...