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Vida (Old Occitan:) is the usual term for a brief prose biography, written in Old Occitan, of a troubadour or trobairitz. [citation needed] The word vida means "life" in Occitan languages; they are short prose biographies of the troubadours, and they are found in some chansonniers, along with the works of the author they describe.
A razo (from Occitan for "reason") was a similar short piece of Occitan prose detailing the circumstances of a particular composition. A razo normally introduced the poem it explained; it might, however, share some of the characteristics of a vida. The razos suffer from the same problems as the vidas in terms of reliability. Many are likewise ...
The traditional Occitan music in the Occitan Valleys of Italy, along with the language and religion are a fundamental element of aggregation for the local community. They mostly consist of ballads , mainly in the Occitan territories of Piedmont ; performed during almost all occasions of celebration in the valleys and are well known even outside ...
A two-part musical form Cadenza: falling: A florid solo at the end of a performance Cantata: sung: A piece for orchestra and singers Capriccio: caprice: A lively piece, free in form, often used to show musical skill Cavatina: small instrumental tone: A simple melody or song Coda: tail: The end of a piece Concerto: concert
A razo (Old Occitan:, literally "cause", "reason") was a short piece of Occitan prose detailing the circumstances of a troubadour composition. A razo normally introduced an individual poem, acting as a prose preface and explanation; it might, however, share some of the characteristics of a vida (a biography of a troubadour, describing his origins, his loves, and his works) and the boundary ...
The Comtessa de Dia (Countess of Die), [1] possibly named Beatritz or Isoarda (fl. c. 1175 or c. 1212), was a trobairitz (female troubadour).. She is only known as the comtessa de Dia in contemporary documents, but was most likely the daughter of Count Isoard II of Diá (a town northeast of Montelimar now known as Die in southern France).
A canso usually consists of three parts. The first stanza is the exordium, where the composer explains his purpose.The main body of the song occurs in the following stanzas, and usually draw out a variety of relationships with the exordium; formally, aside from the envoi(s), which are not always present, a canso is made of stanzas all having the same sequence of verses, in the sense that each ...
The sirventes or serventes (Old Occitan: [siɾvenˈtes]), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from sirvent ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the ...