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Another major cultural development of the era was the permanent establishment of Buddhism. Buddhism was introduced by Baekje in the sixth century but had a mixed reception until the Nara period, when it was heartily embraced by Emperor Shōmu. Shōmu and his Fujiwara consort were fervent Buddhists and actively promoted the spread of Buddhism ...
Nara period: Nara: National Institutes for Cultural Heritage ... Nara: Nara Prefectural Museum of Art: 39.4 centimetres (15.5 in) by 107.3 centimetres (42.2 in) ...
The Nara National Museum is located in Nara, which was the capital of Japan from 710 to 784. Katayama Tōkuma (1854–1917) designed the original building, which is a representative Western-style building of the Meiji period and has been designated an Important Cultural Property in Japan.
The style is reminiscent of Chinese painting from the Sui dynasty or the late Sixteen Kingdoms period. However, by the mid-Nara period, paintings in the style of the Tang dynasty became very popular. These also include the wall murals in the Takamatsuzuka Tomb, dating from around 700 AD.
Thus, realism, a popularizing trend, and a classical revival characterize the art of the Kamakura period. In the Kamakura period, Kyoto and Nara remained the centres of artistic production and high culture. Sculpture: The Kei school of sculptors, particularly Unkei, created a new, more realistic style of sculpture.
These genres continued to be produced into the Kamakura period from 1185 to 1333. As during the Nara period, sculpture remained the preferred art form of the period. Influenced by the Chinese Song and Yuan dynasties, Japanese monochrome ink painting called suibokuga largely replaced polychrome scroll paintings. By the end of the 14th century ...
Sculpture further developed from techniques of the late Nara period. Hyperrealism became a popular style in renderings of Buddha, deities, and priests; which is marked by an exaggeration of naturalistic features. Painting also evolved during this period with depictions of hell and the Pure Land.
The Kei school (慶派, Kei-ha) was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th.