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The tradition of manuscript painting in Assam was developed in direct response to the Neo-Vaisnavism introduced by the great leader, social reformer, Vaisnava saint Sankardev (1449-1568 A.D.) Most of these manuscripts have been produced on locally available and processed materials. Illustrated Manuscript of Dakhinpat Satra
A presentation miniature or dedication miniature is a miniature painting often found in illuminated manuscripts, in which the patron or donor is presented with a book, normally to be interpreted as the book containing the miniature itself. [1] The miniature is thus symbolic, and presumably represents an event in the future.
Miniature of Sinon and the Trojan Horse, from the Vergilius Romanus, a manuscript of Virgil's Aeneid, early 5th century. A miniature (from the Latin verb miniare 'to colour with minium', a red lead [1]) is a small illustration used to decorate an ancient or medieval illuminated manuscript; the simple illustrations of the early codices having been miniated or delineated with that pigment.
Indian painting has a very long tradition and history in Indian art. [1] The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters .
18th-century Arabic manuscripts. In Anglo-Saxon England, manuscript culture seems to have begun around the 10th century. [2] This is not to say however, that manuscripts and the recording of information was not important prior to the 10th century, but that during the 10th century, historians see an influx and heavier weight placed on these manuscripts.
The earliest dated example is the Diamond Sutra of 868. In the Islamic world and the West, all books were in manuscript until the introduction of movable type printing in about 1450. [clarification needed] Manuscript copying of books continued for a least a century, as printing remained expensive. Private or government documents remained hand ...
Indian miniature paintings are a class of paintings originating from India. [1] Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
The Ottoman miniature painting tradition was unique in that artists did not strive to depict their subjects realistically. [5] Some scholars believe that this style of painting developed from shadow puppetry, on account of the sharp geometric edges, as well as the intricate architectural designs. [ 9 ]