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In 2000, Chihuly's commission from the Victoria and Albert Museum for a 30-foot-high (9.1 m), blown-glass chandelier dominates the museum's main entrance. Chihuly's The Sun was on temporary display until January 2006 at Kew Gardens, London, England.
View of the sculpture garden at The Fondation Maeght in Saint-Paul de Vence, France. The Maeght Foundation or Fondation Maeght (pronounced) [1] [2] is a museum of modern art on the Colline des Gardettes, a hill overlooking Saint-Paul de Vence in the southeast of France about 25 km (16 mi) from Nice.
In this studio, she developed Vestige, a cast glass life-size sculpture of a dress with the wearer absent; the work took one year to complete and required the development of special technologies, including the lost wax technique. [5] Vestige would later be seen as a seminal and influential artwork in the field of contemporary art and glass. [6] [7]
In 2019, Buster Simpson was included in two group exhibitions exploring the material glass as vehicle for sculpture, in painting and as tool of conceptual inspiration - An Alternative History: The Other Glass, in New York City and As In Also: An Alternative Too, in Seattle - each organized by artist, published author and independent curator ...
1980: Seaform Series, transparent sculptures of thin glass, strengthened by ribbed strands of color 1981: Macchia Series, featuring every color available in the studio 1986: Persian Series, inspired by Middle East glass from the 12th- to 14th-century, featuring more restrained color and room-sized installations
Lane is also known for his work in art furniture and contemporary design. [2] He lives and works in London. [3] Lane came to attention in the 1980s through his art furniture. [4] He moved into large-scale public sculpture in the 1990s, being responsible in 2006 for Borealis, believed to be the largest glass sculpture in the world. [5]