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Other possible instruments for the suite include a cello da spalla, a version of the violoncello piccolo played on the shoulder like a viola, as well as a viola with a fifth string tuned to E, called a viola pomposa. As the range required in this piece is very large, the suite was probably intended for a larger instrument, although it is ...
Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
BWV 1007 – Cello Suite No. 1 in G major; BWV 1008 – Cello Suite No. 2 in D minor; BWV 1009 – Cello Suite No. 3 in C major; BWV 1010 – Cello Suite No. 4 in E-flat major; BWV 1011 – Cello Suite No. 5 in C minor; BWV 1012 – Cello Suite No. 6 in D major
She used her Matteo Goffriller viola in recording all 6 suites. The microphone was placed under her instrument due to the amazing resonance. A complete list of her studio recordings (issued and unissued) and a partial list of archive recordings : Johann Sebastian Bach Complete Cello Suites. Lillian Fuchs, viola. (Doremi CD DHR-7801)
The orchestra of the concertos for one or more accompanied soloists (BWV 1041–1044, 1049–1050 and 1052–1065) consists in most cases of strings (two parts for violins and one viola part) and continuo (for example performed on cello and harpsichord).
Simon Rowland-Jones (born 1950) is a violist, composer, and music editor.He is best known for his arrangement of the Bach Cello Suites for Viola, which is widely praised as one of the best scholarly editions of the work for viola.
The Prelude in F minor of The Well-Tempered Clavier book 1, in the BGA known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-Verzeichnis. In the 2nd half of the 19th century the Bach-Gesellschaft (BG) published all Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA). [3]
Bach wrote out the first violin and continuo parts, C. P. E. Bach wrote out the trumpet, oboe, and timpani parts, and J. S. Bach's student Johann Ludwig Krebs wrote out the second violin and viola parts. [1] Rifkin has argued that the original was a version for strings and continuo alone. [13] Ouverture (In D major.