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Handwritten version of 'Happiness Makes Up in Height For What It Lacks in Length' by Robert Frost. Found inscribed in a Robert Frost book in the Special Collections Library at Duke University. Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A ...
Download as PDF; Printable version; ... The Oven Bird" is a 1916 poem by Robert Frost, ... The poem is written in sonnet form and describes an ovenbird singing.
The book was republished in 1920, and after making several alterations in the sequencing of the collection, Frost released a new edition in 1924. [citation needed] Five lyrics of the earlier collection were compiled next under the title "The Hill Wife". In this volume only three poems are written in dramatic monologue.
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Poetry by Robert Frost" The following 17 pages are in this category, out ...
A special edition was printed after the book won the Pulitzer Prize with a red band around the front and back covers. The front cover banner read: "Pulitzer Prize Poems: 1930: This edition contains Mr. Frost's complete work to date; including six poems never hitherto published and New Hampshire, for which he was awarded the Pulitzer Prize in 1923."
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]
"Nothing Gold Can Stay" is a short poem written by Robert Frost in 1923 and published in The Yale Review in October of that year. It was later published in the collection New Hampshire (1923), [1] which earned Frost the 1924 Pulitzer Prize for Poetry. The poem lapsed into public domain in 2019. [2]
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...