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The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323 BC ...
A mark of the continuing artistic value placed on the Diadumenos type in the modern era, once it had been reconnected with Polyclitus in 1878, may be drawn from the facts that a copy was among the sculptures ranged on the roof of the National Archaeological Museum, Athens, when it was completed in 1889, [8] and that the Esquiline Venus has sometimes been interpreted as a female version of the ...
Kritios Boy.Marble, c. 480 BC. Acropolis Museum, Athens.. The marble Kritios Boy or Kritian Boy belongs to the Early Classical period of ancient Greek sculpture.It is the first statue from classical antiquity known to use contrapposto; [1] Kenneth Clark called it "the first beautiful nude in art" [2] The Kritios Boy is thus named because it is attributed, on slender evidence, [2] to Kritios ...
Roman bronze reproduction of Myron's Discobolus, 2nd century AD (Glyptothek, Munich) 3D model of a replica at National Gallery of Denmark, Denmark.. The Discobolus by Myron ("discus thrower", Greek: Δισκοβόλος, Diskobólos) is an ancient Greek sculpture completed at the start of the Classical period in around 460–450 BC that depicts an ancient Greek athlete throwing a discus.
The writings of Johann Joachim Winckelmann, especially his books Thoughts on the Imitation of Greek Works in Painting and Sculpture (1750) and Geschichte der Kunst des Alterthums ("History of Ancient Art", 1764) were the first to distinguish sharply between ancient Greek, Etruscan, and Roman art, and define periods within Greek art, tracing a ...
Myron of Eleutherae (480–440 BC) (Ancient Greek: Μύρων, Myrōn) was an Athenian sculptor from the mid-5th century BC. [1] Alongside three other Greek sculptors, Polykleitos Pheidias, and Praxiteles, Myron is considered as one of the most important sculptors of classical antiquity. [2]
The Archaic marbles already showed a very high mastery of stone, visible especially in their architectural reliefs. In the case of bronze, the main innovation in their history for Greek sculpture was the development of the lost wax technique but its principles were already masterfully handled in the Severe period, with a diversified application ...
The art of ancient Greece has exercised an enormous influence on the culture of many countries from ancient times until the present, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models.