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The central octave of the ancient Greek system. The earliest Greek scales were organized in tetrachords, which were series of four descending tones, with the top and bottom tones being separated by an interval of a fourth, in modern terms. The sub-intervals of the tetrachord were unequal, with the largest intervals always at the top, and the ...
[3]: x Our understanding of ancient Greek music theory, musical systems, and musical ethos comes almost entirely from the surviving teachings of the Pythagoreans, Plato, Aristoxenus, Philodemus, Ptolemy, and Aristides. Some ancient Greek philosophers discussed the study of music in ancient Greece.
The Phrygian mode (pronounced / ˈ f r ɪ dʒ i ə n /) can refer to three different musical modes: the ancient Greek tonos or harmonia, sometimes called Phrygian, formed on a particular set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter.
Although the names of the modern modes are Greek and some have names used in ancient Greek theory for some of the harmoniai, the names of the modern modes are conventional and do not refer to the sequences of intervals found even in the diatonic genus of the Greek octave species sharing the same name. [60]
In music theory, a tetrachord (Greek: τετράχορδoν; Latin: tetrachordum) is a series of four notes separated by three intervals.In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning ...
The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek harmoniai (characteristic melodic behaviour, or the scale structure associated with it); one of the medieval musical modes; or—most commonly—one of the modern modal diatonic scales, corresponding to the piano keyboard's white notes from D to D, or any transposition of itself.
The musica universalis (literally universal music), also called music of the spheres or harmony of the spheres, is a philosophical concept that regards proportions in the movements of celestial bodies—the Sun, Moon, and planets—as a form of music. The theory, originating in ancient Greece, was a tenet of Pythagoreanism, and was later ...
Pages in category "Ancient Greek music theory" The following 8 pages are in this category, out of 8 total. ... Mode (music) Musical system of ancient Greece; O.