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Some professionally applied finishes in the high-end, Bay-Area homes of northern California, for example, were as simple as oil glaze, oil-based paint or penetrol or as complicated as applications with peacock feathers and 4 different colors applied using 4 different techniques. In modern-day faux finishing, there are two major processes used.
A glaze is a thin transparent or semi-transparent layer on a painting which modifies the appearance of the underlying paint layer. Glazes can change the chroma , value , hue and texture of a surface.
Example of the strie faux painting technique over raised stencil. Strié is a negative glaze technique. The glaze is generally rolled over the entire surface, and then removed with a tool such as a brush. [1] The word strié can be used to describe this process of painting, or to describe the actual finish created.
A color wash is a popular technique in faux painting using paint thinned out with glaze to create a subtle wash of color over walls or other surfaces. [1] Color washing gives a surface a translucent, watercolor appearance. [2] It can be used to add texture or accentuate natural surfaces.
The painting is carried out in layers, with the first layer being a base. Today that is usually done with latex paint in a gold or orange or tan tone, depending on the type of wood the artist is aiming to imitat. A second layer of tempera or thinned paint is applied over the dry base, by means of a sponge or large inexpensive brush. During the ...
Rag painting or ragging is a form of faux painting using paint thinned out with glaze and old rags to create a lively texture on walls and other surfaces. [1] [2] Example of the ragging design with a stencil. Ragging can be done as a negative or positive technique.