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Orpheus and Eurydice in Palais Garnier, Paris.Their names are in Greek, ΟΡΦΕΥΣ (Orpheus) and ΕΥΡΥΔΙΚΗ (Eurydice). In Virgil's classic version of the legend, it completes his Georgics, a poem on the subject of agriculture.
One is The Tale of Orpheus and Erudices his Quene, his dynamic and inventive version of the Orpheus story. The other is his Testament of Cresseid, a tale of moral and psychological subtlety in a tragic mode founded upon the literary conceit of "completing" Criseyde's story-arc from Chaucer's Troilus and Criseyde. Emily Wingfield has explored ...
The Tale of Orpheus and Erudices his Quene is a poem by the Scottish Northern Renaissance poet Robert Henryson that adapts and develops the Greek myth which most famously appears in two classic Latin texts, the Metamorphoses of Ovid and the Georgics of Virgil. Jacopo del Sellaio, Orpheus and Eurydice, c.1480
Poem Strip (Italian: Poema a fumetti) is a 1969 comic book by the Italian writer and illustrator Dino Buzzati.It retells the myth of Orpheus and Eurydice, set in Milan in the 1960s.
The story of Orpheus and Eurydice has been depicted in a number of works by artists, including Titian, Peter Paul Rubens, Nicolas Poussin, and Corot. [13] More recently, the story has been depicted by Bracha Ettinger , whose series, Eurydice , was exhibited in the Pompidou Centre ( Face à l'Histoire , 1996); the Stedelijk Museum , Amsterdam ...
Orfeo (Orpheus) is an opera in three acts, a prologue and an epilogue by the Italian composer Luigi Rossi. The libretto, by Francesco Buti, is based on the myth of Orpheus and Eurydice. Orfeo premiered at the Théâtre du Palais-Royal in Paris on 2 March 1647. [1] It was one of the earliest operas to be staged in France.
Orpheus Playing the Violin, 17th-century painting by Cesare Gennari. Operas based on the Orphean myths, and especially the story of Orpheus' journey to the underworld to rescue his wife, Eurydice, were amongst the earliest examples of the art form and continue to be written into the 21st century.
Proteus describes the descent of Orpheus into the underworld to retrieve Eurydice, the backward look that caused her return to Tartarus, and at last Orpheus' death at the hands of the Ciconian women. Book four concludes with an eight-line sphragis or seal in which Virgil contrasts his life of poetry with that of Octavian the general.