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The Last Supper, after Leonardo da Vinci: 1634–1635: Red chalk: 36.2 x 47.5 cm: Metropolitan Museum of Art, New York: Inscribed Rembrandt f. Two Butchers at Work: 1635: Pen and bistre: 14.9 x 20 cm: Städel, Frankfurt am Main: Inscribed t vel daer aen ende voorts de rest bysleepende The Angel Preventing Abraham from Sacrificing his Son, Isaac ...
Drawing on paper. Pen and brown ink with brown and other washes and red and black chalk: 35.7 x 48.8: Teylers Museum, Haarlem: 111: Although executed with drawing materials on paper, in view of its presumed function this work is counted here among Rembrandt’s grisailles in preparation for an unfinished printed Passion series Ecce Homo: 1634
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
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The Rembrandt House Museum has fittings and furniture that are mostly not original but period pieces comparable to those Rembrandt might have had, and those in the many drawings and etchings set in the house, and contemporary paintings reflecting Rembrandt's use of the house for art dealing. His printmaking studio has been set up with a ...
His 2008 film Rembrandt's J'Accuse is a sequel or follow-on, and covers the same idea, using extremely detailed analysis of the compositional elements in the painting; in this Greenaway describes The Night Watch as (currently) the fourth most famous painting in the Western world, after the Mona Lisa, The Last Supper and the ceiling of the ...
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
After is an art convention used in the titles and inscriptions of artworks to credit the original artist in the title of the copy. [1] [2] Often the title of the original work is retained, for example an interpretation by Rembrandt of da Vinci's The Last Supper becomes The Last Supper, after Leonardo da Vinci.