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The SansAmp (from French: sans ampli, "without an amp") [1] is an analog [2] effects pedal emulating a variety of different guitar amplifiers and speakers and enables recording direct to a mixing console. [1] The SansAmp became popular in the 1990s. [3] Later, SansAmp became an entire line of products for various instruments and applications. [4]
The Roland Micro Cube, left, a small and portable digital modeling amplifier. Digital amp modelers Standalone modeling devices such as the Line 6 POD and Fractal Axe-FX digitize the input signal and use a DSP, a dedicated microprocessor, to process the signal with digital computation, attempting to achieve the sound of expensive professional amplifiers in a much less costly and more compact ...
POD is a series of digital guitar amplifier modelers from Line 6.PODs are designed to digitally simulate amplifiers, as well as cabinet models and effects.All POD variants include headphone outputs and recording ports, and can be used to feed a signal into an amp or directly into a PA system.
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.