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David Brandt Berg (February 18, 1919 – October 1, 1994), also known as King David, Mo, Moses David, Father David, Dad, or Grandpa to followers, was the founder and leader of the cult generally known as the Children of God [1] and subsequently as The Family International.
The group has gone under a number of different names since its inception, including Teens for Christ, The Children of God (COG), The Family of Love, or simply The Family. A British court case found the group was an authoritarian cult which engaged in the systematic physical and sexual abuse of children, [ 2 ] resulting in lasting trauma among ...
Although the drawing still shows John the Baptist as a child and not a lamb, it is the first indication that the composition could be constructed and read in the opposite direction to that of the Burlington House cartoon. [34] [37] The second drawing is in the collections of the Graphic Arts Department of the Louvre under inventory number RF ...
To prevent this, Saturn ate his children moments after each was born, eating the gods Vesta , Ceres , Juno , Pluto , and Neptune . His wife Ops ( Rhea ) eventually hid his sixth child and third son, Jupiter ( Zeus ), on the island of Crete , deceiving Saturn by offering a stone wrapped in swaddling in his place.
The Christ Child and the Infant John the Baptist with a Shell or The Holy Children with a Shell (Spanish - Los Niños de la concha) is a 1670-1675 oil on canvas painting by Bartolomé Esteban Murillo, now in the Prado Museum in Madrid. One of the artist's most popular works, it was widely reproduced in prints and on plates. [1]
The iconic image of the Hand of God giving life to Adam The Sistine Chapel ceiling , painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance . Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam ...
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
In Renaissance art, the form of the putto was derived in various ways including the Greek Eros or Roman Amor/Cupid, the god of love and companion of Aphrodite or Venus; the Roman, genius, a type of guardian spirit; or sometimes the Greek, daemon, a type of messenger spirit, being halfway between the realms of the human and the divine. [5]