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Music of the Democratic Republic of the Congo varies in its different forms. Outside Africa, most music from the Democratic Republic of Congo is called Soukous, which most accurately refers instead to a dance popular in the late 1960s. The term rumba or rock-rumba is also used generically to refer to Congolese music, though neither is precise ...
Congolese saxophonist Sam Talanis. The Republic of the Congo is an African nation with close musical ties to its neighbor, the Democratic Republic of the Congo.The Democratic Republic of the Congo's homegrown pop music, soukous, is popular across the border, and musicians from both countries have fluidly travelled throughout the region playing similarly styled music, including Nino Malapet and ...
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with Mobutu, marked Africa's 20th century history."
The Missa Luba is a setting of the Latin Mass sung in styles traditional to the Democratic Republic of the Congo.It was composed by Fr Guido Haazen, a Franciscan friar from Belgium, and originally celebrated, performed, and recorded in 1958 by Les Troubadours du Roi Baudouin (English: "King Baudouin's Troubadours"), a choir of adults and children from Kamina, Katanga Province.
In Awendo, a variety of Congolese and local musicians, including Super Mazembe, Eden Musica, T.P. Bilenge, Bikassy Mandeko Bijos, and Banalola, graced the music scene. [45] The Daily Nation reported that local youth in Kisumu were rapidly adopting the style, with groups like Orchestra Mass System, whose members embraced Congolese personas such ...
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers (or "Pygmies"), predominantly in the Congo, the Central African Republic and Cameroon. Pygmy groups include the Bayaka, the Mbuti, and the Batwa. Music is an important part of Pygmy life, and casual performances take place during many of the day's events.
Musicologist and folk-researcher Guillermo Abadía Morales, in his 1977 "Compendio general de folclore colombiano" (General Compendium of Colombian folklore), says that cumbia is a shortened form of cumbancha, a word whose root is Kumba, Mandinka demonym, and adds that the Republic of the Congo was called Cumba. [8]