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The size of individual mirrors was still small: the 17 seemingly large window-like panes in the Hall of Mirrors are in fact stitched from 357 small pieces of mirror glass. [12] In 1687, Bernard Perrot developed a process of glass casting that enabled first truly large glass mirrors, impossible to make using the traditional glass blowing process.
Ayeneh-kari in the main hall of Emarat-e Badgir, Golestan Palace, Tehran, Iran. Ayeneh-kari [1] (Persian: آینهکاری) is a kind of Iranian interior decoration where artists assemble finely cut mirrors together in geometric, calligraphic or foliage forms (inspired by flowers and other plants). [2]
This stunning floor-length mirror can be used in several ways: as a standing floor mirror, leaning against a wall or mounted onto the wall — the design options are endless. $35 at Walmart
The rim of the mirror has approximately 1,500 arc lines running vertically from the back to the front. [2] [3] It is a mirror surface (front). The excavator, Dairoku Harada, named it Hachiyoha Mirror with Uchigyoka Design because of its design. The number of pieces excavated at the Hirabaru site was reported to be four at the time of discovery ...
The Hall of Mirrors is flanked at the far ends by the Salon of War (Salon de la guerre) in the north and the Salon of Peace (Salon de la paix) in the south, respectively. The Hall of Mirrors connects to the two salons, which were assigned to and incorporated into the king's apartments in the north and the queen's apartments in the south.
Large quantities were used for the most prestigious parts of the building, including the interior wall decoration of the "Galerie des Glaces" (Hall of Mirrors) and the columns of the main portico on the "Cour des Marbres" (Marble Courtyard). To satisfy the vast demand needed for Versailles and other French royal residences a new quarry was ...