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"I Want to Know What Love Is" is a power ballad [6] by the British-American rock band Foreigner. It was released in November 1984 as the love theme and lead single from their fifth album, Agent Provocateur. The song reached number one on both the United Kingdom singles chart and the United States Billboard Hot 100 and is the group's biggest hit.
"Waiting for a Girl Like You" is a 1981 power ballad [2] by the British-American rock band Foreigner released as the second single from the album 4 (1981) and was co-written by Lou Gramm and Mick Jones. The opening motif was written by Ian McDonald [4] and the distinctive synthesizer theme was performed by the then-little-known Thomas Dolby.
A classic rock station in Philly, 102.9, agrees with us on the top song for our rough list: "As far as debut singles go, 'Feels Like the First Time' is one of the best.
Foreigner in San Francisco, 2009 The discography of Foreigner , a British - American rock band, consists of 9 studio albums , 7 live albums , 20 compilation albums , and 47 singles . The band was formed in New York City in 1976 by veteran English musicians Mick Jones and Ian McDonald , and American vocalist Lou Gramm .
Billboard said that the single "returns the group to the massive power ballad sound that's propelled their biggest pop hits." [2] Cash Box said that "heart tugging sentimentality meets slickly professional rock" and predicted a "fast rise up the pop singles chart" based on Foreigner's "knack for slow rocking love tunes."
Foreigner's next album, Agent Provocateur, co-produced by Alex Sadkin, was released in December 1984 and, in 1985, gave them their first and only No. 1 hit song in the US and several other countries (except for Canada, where "Urgent" had reached No. 1) when "I Want to Know What Love Is", a ballad backed by Jennifer Holliday and the New Jersey ...
Classic Rock critic Malcolm Dome rated two songs from Foreigner as being among Foreigner's 10 most underrated – "Starrider" at #7 and "Long, Long Way from Home" at #4. [16] Dome calls Starrider a "beautifully developed, introspective tale of aspiration," even though it doesn't sound much like Foreigner and its lyrics "come across as 50s pulp ...
Ronson: Those songs were a time when masculine hetero music got to its most sensitive. Wyatt: That era of the late ’70s was about we’re so cool. We can do anything, and that matches his headspace.