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"Streets of New York" was Kool G Rap & DJ Polo's second music video and shows a number of situations described in the song such as, a girl named Sonya who is suffering from pneumonia and whose mother works as a stripper, an alcoholic man who beats his wife every day until she stabs him, three drug dealers being murdered in an apartment, a mother who commits suicide by overdosing on sleeping ...
"The Streets of New York" is a song originally published by M. Witmark & Sons. The song was from the musical comedy The Red Mill . The song was composed by Victor Herbert and typically plays at the end of Act II in The Red Mill .
Streets of New York, a 2006 album by Willie Nile "Streets of New York" (Kool G Rap & DJ Polo song) "Streets Of New York", a 1981 song by The Wolfe Tones, reached #1 in Ireland
As the track’s delightful video demonstrates, with Rogers prancing through the streets of New York, mugging with David Byrne and Hamilton Leithauser, “That’s Where I Am” is a perfect ...
The Streets of New York is a musical with book and lyrics by Barry Alan Grael and music by Richard B. Chodosh. Based on the play of the same name by Dion Boucicault, it was originally written for the 1948 Varsity Show at Columbia University, with music by Chodosh and Philip Springer and book by Alan Koehler and Joseph Meredith.
"Every Street's a Boulevard (In Old New York)" by Jule Styne / Bob Hilliard, From the Broadway musical "Hazel Flagg" (1953) covered by Dean Martin & Jerry Lewis & others "Everybody's Going to the Devil in New York" (music by Gus Edwards; lyrics by Edward Gardenier) "Everybody's Shakin' Hands On Broadway" by Luv'
"The Sidewalks of New York" is a popular song about life in New York City during the 1890s. It was composed in 1894 by vaudeville actor and singer Charles B. Lawlor (June 2, 1852 – May 31, 1925) with lyrics by James W. Blake (September 23, 1862 – May 24, 1935).
There are conflicting explanations regarding the origins of the term "Tin Pan Alley". The most popular account holds that it was originally a derogatory reference made by Monroe H. Rosenfeld in the New York Herald to the collective sound made by many "cheap upright pianos" all playing different tunes being reminiscent of the banging of tin pans in an alleyway.