Ads
related to: rembrandt paintings of himself
Search results
Results From The WOW.Com Content Network
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.
A drawing from c. 1650 shows Rembrandt in much the same pose and attire, and features an inscription, though not by the artist's hand, stating that these were the artist's studio clothes. [2] In the drawing Rembrandt is seen wearing a top hat, while in the painting he wears a black beret derivative of artists' portraits of the 16th century. [2]
In 2005 four oil paintings previously attributed to Rembrandt's students were reclassified as the work of Rembrandt himself: Study of an Old Man in Profile and Study of an Old Man with a Beard from a US private collection, Study of a Weeping Woman, owned by the Detroit Institute of Arts, and Portrait of an Elderly Woman in a White Bonnet ...
He made 40 self-portraits in paint, 31 etchings and dozens more drawings of himself; not including the numerous times he featured himself in Bible and history paintings. This self-portrait is the earliest known of Rembrandt. [4] Many of Rembrandt's self-portraits, especially his etchings and drawings, bear the character of studies.
Self-Portrait with Beret and Turned-Up Collar is a 1659 oil on canvas painting by the Dutch artist Rembrandt, one of over 40 self-portraits by Rembrandt.It has been noted as a self-portrayal of subtle and somber qualities, a work in which may be seen "the stresses and strains of a life compounded of creative triumphs and personal and financial reverses".
Self-portraits by young people inspired by Rembrandt's work are on display alongside the painting.
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]