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Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
The mosaics in the Dome of the Rock in Jerusalem show the influence of Byzantine designs. Some Western art historians have dismissed or overlooked Byzantine art in general. For example, the deeply influential painter and historian Giorgio Vasari defined the Renaissance as a rejection of "that clumsy Greek style" ("quella greca goffa maniera"). [20]
Expensive portable icons in micromosaic were collected by rich patrons in both Byzantine and Western lands. [42] This art form had been part of the Byzantine repertoire at least since the twelfth century, but after 1204 there was a renewed interest which has left over 20 extant examples.
The books feature records of artists from the Fall of the Byzantine Empire until the onset of modern Greece. It is the first time in history Greek painters were listed on this magnitude and scale. The work is similar to Giorgio Vasari ’s Lives of the Most Excellent Painters, Sculptors, and Architects and Bernardo de' Dominici 's Vite dei ...
Byzantine art is the art of the Greek-speaking Byzantine Empire formed after the division of the Roman Empire between Eastern and Western halves, and sometimes of parts of Italy under Byzantine rule. It emerges from Late Antiquity in about 500 CE and soon formed a tradition distinct from that of Catholic Europe but with great influence over it.
Italo-Byzantine (or maniera greca) painting is a term for panel paintings produced in Italy, and Western Europe generally, under heavy influence from the icons of Byzantine art, whose many variations of the subject of the Madonna and Child were copied, though the full Byzantine technique and style was not.
Modern Greek art, after the establishment of the Greek Kingdom, began to be developed around the time of Romanticism. Greek artists absorbed many elements from their European colleagues, resulting in the culmination of the distinctive style of Greek Romantic art, inspired by revolutionary ideals as well as the country's geography and history.
These characteristics became hallmarks of Byzantine design, aligning harmoniously with religious themes. Armenian elements, including architects and artistic techniques, were undoubtedly present—such as the restoration of St. Sophia by an Armenian architect—this influence did not overshadow Byzantine originality and themes.