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The Promise is a musical drama with a book by Jan Dargatz (with additional dialogue by Chuck King) and lyrics and music by various songwriters (several arranged by Gary Rhodes and also by current Director Chuck King) based on biblical texts.
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz . Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
The St Matthew Passion can be divided in scenes or "stations" that follow the dramatic action of the Gospel account in different locations. [3] Whatever the chosen scene division (none of them indicated by the composer in the score), scenes end on an aria, a chorus, or in the midst of a Gospel text section.
Passion settings (1 C, 23 P) S. ... Pages in category "Music based on the Crucifixion of Jesus" The following 4 pages are in this category, out of 4 total.
Some humor is derived when one girl asks if he can heal broken legs, and, when he says yes, she gives him a legless doll. Jesus smiles and repairs the doll. The crucifixion is foreshadowed when Jesus, having helped a poor family, wanders through the father's carpentry shop, and, himself a carpenter's son, he briefly helps carve a piece of wood.
Sheet music for Were You There " Were You There (When They Crucified My Lord) " is an African-American spiritual that was first printed in 1899. It was likely composed by enslaved African Americans in the 19th century.
Flagellation at the hands of the Romans is mentioned in three of the four canonical Gospels: John 19:1, Mark 15:15, and Matthew 27:26, and was the usual prelude to crucifixion under Roman law. [5] None of the three accounts is more detailed than John's "Then Pilate took Jesus and had him flogged" (NIV).
Puffy, who was a Catholic, had demanded that his crucifixion scene be excluded from the broadcast edit of the video. However, the wrong edit was incorrectly sent to MTV , which aired that version on the April 15, 1999, edition of TRL .