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The extended play Gospel Oak (1997) and live album Live at the Sugar Club (2008) were also issued, and O'Connor's compilations consist of five sets—So Far... The Best Of (1997), Sinéad O'Connor: Best Of (2000), She Who Dwells in the Secret Place of the Most High Shall Abide Under the Shadow of the Almighty (2003), Collaborations (2005) and ...
Theology is the eighth full-length album by Irish singer Sinéad O'Connor.It was released in 2007 on Rubyworks (and Koch Records in the US). The album consists of two discs, the acoustic "Dublin Sessions" and the full-band "London Sessions".
The accompanying music video of the song was directed by Irish director Jim Sheridan, who also directed In the Name of the Father. It was nominated in the category for Best Video from a Film at the 1994 MTV Music Awards. In the video, O'Connor is imprisoned. She is brought into a cell with a grid. A light bulb hangs from the ceiling.
Sinéad O’Connor, the Irish singer/songwriter of enormous talent and integrity who rose to fame in the late ‘80s, died in London on Wednesday at the age of 56. O’Connor’s second album ...
The collection features songs appearing on O'Connor's first four studio albums, along with several non-album collaborations. "Heroine" and "Empire" are also included on O'Connor's 2005 compilation album Collaborations .
Sinéad Marie Bernadette O'Connor [18] was born on 8 December 1966 at the Cascia House Nursing Home on Baggot Street in Dublin. [1] She was named Sinéad after Sinéad de Valera, the mother of the doctor who presided over her delivery (Éamon de Valera, Jnr.), and Bernadette in honour of Saint Bernadette of Lourdes.
It contains O'Connor's version of the Prince song "Nothing Compares 2 U", which was released as a single and reached number one in multiple countries. The album was nominated for four Grammy Awards in 1991 , including Record of the Year , Best Female Pop Vocal Performance , and Best Music Video, Short Form for "Nothing Compares 2 U", winning ...
TRIBUTE: At New York’s Carnegie Hall, a St Patrick’s Day tribute to two inimitable legends of Irish song was a reminder of the enduring power of their music, writes Sam Sodomsky.