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A log line or logline is a brief (usually one-sentence) summary of a television program, film, short film or book, that states the central conflict of the story, often providing both a synopsis of the story's plot, and an emotional "hook" to stimulate interest. [1] A one-sentence program summary in TV Guide is a log line. [2] "
Instead, on the final syllable of every "rhythm group" except the last one in a sentence, there is placed a rising pitch. For example [26] (as before the pitch change arrows ↘ and ↗ apply to the syllable immediately following the arrow): Hier ↗soir, il m'a off↗ert une ciga↘rette.
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
A boundary tone can also begin a sentence or intonational phrase. For example, the phrase Another orange would usually be pronounced with a low pitch on the first syllable. However, it can sometimes be pronounced with a high pitch on the vowel A-. Pierrehumbert marks this high pitch also with H%. [7] (A low boundary tone at the beginning of an ...
In Japanese, a holophrastic or single-word sentence is meant to carry the least amount of information as syntactically possible, while intonation becomes the primary carrier of meaning. [16] For example, a person saying the Japanese word e.g. "はい" (/haɪ/) = 'yes' on a high level pitch would command attention.
The stress placed on words within sentences is called sentence stress or prosodic stress. That is one of the three components of prosody , along with rhythm and intonation . It includes phrasal stress (the default emphasis of certain words within phrases or clauses ), and contrastive stress (used to highlight an item, a word or part of a word ...
Post-lexical pitch accents are assigned to words in phrases according to their context in the sentence and conversation. Within a word, the pitch accent is associated with the syllable marked as metrically strong in the lexicon. Post-lexical pitch accents change not the identity of the word but rather how the word fits into the conversation.
In more complex types of pitch-accent languages, although there is still only one accent per word, there is a systematic contrast of more than one pitch-contour on the accented syllable, for example, H vs. HL in the Colombian language Barasana, [5] accent 1 vs. accent 2 in Swedish and Norwegian, rising vs. falling tone in Serbo-Croatian, and a ...