Search results
Results From The WOW.Com Content Network
In the 1990s, the pedal attracted a cult following in the underground heavy metal scene due to its formative influence over the Swedish death metal sound. [7] Entombed's 1990 album, Left Hand Path, cemented its use in the scene. [6] Anders Nyström of Bloodbath said, "The Boss HM-2 is the holy grail of death metal. There is no other pedal that ...
Smith produced a number of custom variations of the Boogie through the late 1970s, with options including reverb, a five-band graphic EQ, various speakers (most often Altec or Electro-Voice), koa wood jointed cabinets, and wicker grills. [3] Upon the 1978 release of the Boogie's successor—the "Mark II"—the Boogie was renamed the Mark I. [1]
The JCM800 series (Models 2203, 2204, 2205, and 2210) is a line of guitar amplifiers made by Marshall Amplification.The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in 1981.
The Mark IV was launched by Mesa/Boogie in 1990 as a three-channel amp - with independent controls for all three channels, except bass and mid, which are the same for both Rhythm 1 (clean) and Rhythm 2 (crunch). The "crunch" channel is designed for use by hard rock and heavy metal rhythm guitarists. There were two versions of this amp.
Equalization, or simply EQ, in sound recording and reproduction is the process of adjusting the volume of different frequency bands within an audio signal. The circuit or equipment used to achieve this is called an equalizer. [1] [2] Most hi-fi equipment uses relatively simple filters to make bass and treble adjustments. Graphic and parametric ...
Review: "I'm loving my Ember mug - it uses an app for setting the holding temp exactly where I want it (140° for me is perfect). It feels stunningly luxurious to have my coffee perfectly hot with ...
For example, the RIAA pre-emphasis in the popular Neumann SAB 74B equalizer applies a second-order roll off at 49.9 kHz, implemented by a Butterworth (maximally flat) active filter, plus an additional pole at 482 kHz. [2] This cannot be compensated for by a simple zero even if it were necessary, and in any case, other amplifiers will differ.
The evil bastards who program supermarket background music. That easy-listening, soft rock crap you hear while shopping and makes you grateful for the cloying store messages about the sale price ...