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The Ottoman Divan poetry tradition embraced the influence of the Persian and, to a lesser extent, Arabic literatures. As far back as the pre-Ottoman Seljuk period in the late 11th to early 14th centuries CE, this influence was already being felt: the Seljuks conducted their official business in the Persian language, rather than in Turkish, and the poetry of the Seljuk court was highly ...
Below is a list of literary magazines and journals: periodicals devoted to book reviews, creative nonfiction, essays, poems, short fiction, and similar literary endeavors. [ 1 ] [ 2 ] Because the majority are from the United States , the country of origin is only listed for those outside the U.S.
This is a list of poets who wrote under the auspices of the Ottoman Empire, or — more broadly — who wrote in the tradition of Ottoman Dîvân poetry.
Ottoman Divan poetry was a highly ritualized and symbolic art form. From the Persian poetry that largely inspired it, it inherited a wealth of symbols whose meanings and interrelationships—both of similitude (مراعات نظير mura'ât-i nazîr / تناسب tenâsüb ) and opposition (تضاد tezâd )—were more or less prescribed.
There were a number of poetic trends in the poetry of Turkey in the early years of the Republic of Turkey. Authors such as Ahmed Hâşim and Yahyâ Kemâl Beyatlı (1884–1958) continued to write important formal verse whose language was, to a great extent, a continuation of the late Ottoman tradition.
Riyazi (c. 1572 or 1573 –1644), also known as Riyazî Mehmet Efendi was an Ottoman poet and bibliographer. His Riyazü'ş Şuara tezkire (bibliographical dictionary of poets and poetry), is the seventh of its kind in Ottoman history and is of great importance. Riyazi is considered the last of a group of bibliographers who tried to cover the ...
Bâkî lived during the height of the Ottoman Empire, and this affected his poetry greatly. Love, the joy of living, and nature are the primary subjects of his poems. Although almost no Sufi influence is found in his poetry—as it is in many other Ottoman-era poets—his concept of love as revealed in his poetry was not entirely divorced from the Sufi concept t
While his first poems were most probably published before this, Nedîm's more traditional qasidas had become quite well known by the start of Ahmed III's reign in 1703; these had helped him obtain connections with high-ranking officials, such as Nevşehirli Damat Ibrahim Pasha, who would later offer him patronage, as he considered Nedîm's odes to be superior to other poetry written to his name.